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~ Книжный каталог на Bulgakov.ru ~Kolossa Alexandra Haring Tragicomedy; or, the world according to Haring. By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact. About the author: Alexandra Kolossa studied art history, German literature, and business administration in Trier. She took her doctorate in 2003. Since 1998 she has been a freelance author and contemporary art exhibition curator. She lives and works in Duren, Germany. Издание на английском языке. Kolossa Alexandra Haring Tragicomedy; or, the world according to Haring. By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact. About the author: Alexandra Kolossa studied art history, German literature, and business administration in Trier. She took her doctorate in 2003. Since 1998 she has been a freelance author and contemporary art exhibition curator. She lives and works in Duren, Germany. Издание на английском языке. Kolossa Alexandra Haring Tragicomedy; or, the world according to Haring. By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact. About the author: Alexandra Kolossa studied art history, German literature, and business administration in Trier. She took her doctorate in 2003. Since 1998 she has been a freelance author and contemporary art exhibition curator. She lives and works in Duren, Germany. Издание на английском языке. Baal-Teshuva Jacob Rothko One of the most esteemed abstract expressionists and greatest painters of the 20th century Mark Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker". His colour formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. Rothko was an intellectual, a thinker, a highly educated man. He loved music and literature and was very involved in philosophy, especially in the works of Friedrich Wilhelm Nietzsche and of ancient Greek philosophy and mythology. Rothko was a protagonist within the movement of American painters who became known as the Abstract Expressionists. First formed in New York City during the inter-war years, this group was also called the New York School. In all the history of art, they became the first American artists to receive international recognition as a significant movement. Many among them, including Rothko, have become legendary figures. About the author: Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew university in Jerusalem and the New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris. Издание на английском языке. Baal-Teshuva Jacob Rothko One of the most esteemed abstract expressionists and greatest painters of the 20th century Mark Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker". His colour formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. Rothko was an intellectual, a thinker, a highly educated man. He loved music and literature and was very involved in philosophy, especially in the works of Friedrich Wilhelm Nietzsche and of ancient Greek philosophy and mythology. Rothko was a protagonist within the movement of American painters who became known as the Abstract Expressionists. First formed in New York City during the inter-war years, this group was also called the New York School. In all the history of art, they became the first American artists to receive international recognition as a significant movement. Many among them, including Rothko, have become legendary figures. About the author: Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew university in Jerusalem and the New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris. Издание на английском языке. Baal-Teshuva Jacob Rothko One of the most esteemed abstract expressionists and greatest painters of the 20th century Mark Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker". His colour formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. Rothko was an intellectual, a thinker, a highly educated man. He loved music and literature and was very involved in philosophy, especially in the works of Friedrich Wilhelm Nietzsche and of ancient Greek philosophy and mythology. Rothko was a protagonist within the movement of American painters who became known as the Abstract Expressionists. First formed in New York City during the inter-war years, this group was also called the New York School. In all the history of art, they became the first American artists to receive international recognition as a significant movement. Many among them, including Rothko, have become legendary figures. About the author: Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew university in Jerusalem and the New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris. Издание на английском языке. Kettenmann Andrea Kahlo Frida Kahlo - painter of pictures expressing the burdens that weighed upon her soul. The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state. Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in almost any other artist's case. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis. It was in her sick bed that she first started to paint. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children. Kahlo's arresting pictures, most of them small format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera's occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad and her longing to feel that she had put down roots, profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct. About the author: Andrea Kettenmann (born in 1959) studied art history in Gie?en, Gottingen and Heidelberg before joining the art history department of the University of Hamburg. In 1986 she visited Mexico on a fellowship, and now lives there, working as a freelance art historian. She has now worked on a number of exhibitions and catalogues, including the catalogue for the retrospective on Diego Rivera, Frida Kahlo’s husband, in Detroit. Издание на английском языке. Kettenmann Andrea Kahlo Frida Kahlo - painter of pictures expressing the burdens that weighed upon her soul. The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state. Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in almost any other artist's case. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis. It was in her sick bed that she first started to paint. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children. Kahlo's arresting pictures, most of them small format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera's occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad and her longing to feel that she had put down roots, profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct. About the author: Andrea Kettenmann (born in 1959) studied art history in Gie?en, Gottingen and Heidelberg before joining the art history department of the University of Hamburg. In 1986 she visited Mexico on a fellowship, and now lives there, working as a freelance art historian. She has now worked on a number of exhibitions and catalogues, including the catalogue for the retrospective on Diego Rivera, Frida Kahlo’s husband, in Detroit. Издание на английском языке. Kettenmann Andrea Kahlo Frida Kahlo - painter of pictures expressing the burdens that weighed upon her soul. The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state. Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in almost any other artist's case. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis. It was in her sick bed that she first started to paint. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children. Kahlo's arresting pictures, most of them small format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera's occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad and her longing to feel that she had put down roots, profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct. About the author: Andrea Kettenmann (born in 1959) studied art history in Gie?en, Gottingen and Heidelberg before joining the art history department of the University of Hamburg. In 1986 she visited Mexico on a fellowship, and now lives there, working as a freelance art historian. She has now worked on a number of exhibitions and catalogues, including the catalogue for the retrospective on Diego Rivera, Frida Kahlo’s husband, in Detroit. Издание на английском языке. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Jodidio Philip Piano: Renzo Piano Building Workshop 1966-2005 "The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971–77), the Kansai airport in Osaka, Japan (1990–94), and the Tjibaou Cultural Center in Noumea, New Caledonia (1993–98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date. The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building. About the author: Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN's Architecture Now! series, Building a New Millennium, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture. Издание на английском, французском и немецком языках. Александров Александр Данилович, Рыжик Валерий Идельевич, Вернер Алексей Леонидович, Ходот Татьяна Георгиевна Геометрия: учеб.для 7 кл. общеобразоват. учреждений Четкая структура, высокая научность, доступность изложения, простота и краткость - отличительные черты этого учебника. Авторы представляют геометрию как науку, тесно связанную с окружающим миром. Появлению абстрактного понятия предшествует реальная картина, которая аргументирует необходимость этой абстракции. К каждому параграфу дается набор задач. Среди них выделены основные задачи, т. е. обязательные для всех. Именно в задачах заложен принцип развивающего обучения. Большую помощь учащимся окажут предметный указатель и ответы. Александров Александр Данилович, Рыжик Валерий Идельевич, Вернер Алексей Леонидович Геометрия. 8 класс. Учебник. ФГОС Учебник является первой частью трёхлетнего курса геометрии для общеобразовательных школ. Учебник написан в соответствии с требованиями ФГОС. В текстах имеются справки словесника с переводами и пояснениями геометрических терминов, комментарии с интересными фактами. Задачный материал разнообразен и представлен в рубриках по видам деятельности, позволяющим формировать познавательные универсальные учебные действия. После каждой главы предлагаются задачи на повторение и задачи под рубрикой "Применяем компьютер", рассчитанные на работу с компьютерной средой Живая математика. Рекомендовано Министерством образования и науки Российской Федерации. 2-е издание. Александров Александр Данилович, Рыжик Валерий Идельевич, Вернер Алексей Леонидович Геометрия. 10-11 классы. Учебник. Базовый и углубленный уровни. ФГОС Четкая структура, высокая научность, доступность изложения, простота и краткость - отличительные черты этого учебника. Авторы представляют геометрию как науку, тесно связанную с окружающим миром. Появлению абстрактного понятия предшествует реальная картина, которая аргументирует необходимость этой абстракции. К каждому параграфу дается набор задач. Среди них выделены основные задачи, т. е. обязательные для всех. Именно в задачах заложен принцип развивающего обучения. Большую помощь учащимся окажут предметный указатель и ответы. Рекомендовано Министерством образования и науки РФ. Кузнецов Александр Андреевич, Бешенков Сергей Александрович, Ракитина Елена Александровна Информатика: сборник типовых задач для 8-9 классов Задачник входит в методический комплект по курсу информатики нового поколения А. А. Кузнецова, С. А. Бешенкова, Е. А. Ракитиной. Задачи отобраны в соответствии с требованиями Образовательного стандарта основной школы и могут быть использованы как в процессе занятий, так и для проведения итоговой аттестации. Кроме типовых задач, задачник содержит ряд задач повышенной сложности, которые можно использовать, например, при организации элективных курсов. Кузнецов Александр Андреевич, Бешенков Сергей Александрович, Ракитина Елена Александровна Информатика: сборник типовых задач для 8-9 классов Задачник входит в методический комплект по курсу информатики нового поколения А. А. Кузнецова, С. А. Бешенкова, Е. А. Ракитиной. Задачи отобраны в соответствии с требованиями Образовательного стандарта основной школы и могут быть использованы как в процессе занятий, так и для проведения итоговой аттестации. Кроме типовых задач, задачник содержит ряд задач повышенной сложности, которые можно использовать, например, при организации элективных курсов. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Gisler-Huwiler Madeleine, Schutze Sebastian Antiquities. The Complete Collection The birth of neoclassicism. This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-Francois Hugues d`Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d?Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquites d?Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain`s, and indeed Europe`s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood. About the authors: Madeleine Gisler-Huwiler studied classical archaeology, ancient history and old Egyptian at Fribourg University. She has collaborated on various excavations and exhibitions and is presently writing a catalogue of the first Hamilton collection of vases for the British Museum, which is partially represented in the Antiquites of D'Hancarville. Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris. Издание на английском, французском и немецком языках. Фадеева Алевтина Алексеевна, Засов Анатолий Владимирович, Киселев Дмитрий Федорович Физика: молекулярная физика и термодинамика с основами общ.астрономии. 7 класс Учебник знакомит учащихся с современными вопросами физики и астрономии, содержи много практических и лабораторных работ. Текст учебника сопровождается большим количеством иллюстраций и таблиц. 2-е издание. Шайтанов Игорь Олегович, Свердлов Михаил Игоревич Зарубежная литература: 10-11 кл.: электив.курс: учеб.-хрестоматия для общеобразоват.учр. Учебник продолжает линию учебных книг по зарубежной литературе, начатую с 5-го класса, и сочетает в себе элементы хрестоматии и практикума. В него включены не только сведения о писателях и разнообразных жанрах литературы, но также образцы анализа художественных произведений, комментарии, интересные вопросы и задания, которые помогут школьникам глубже усвоить материал, а учителю - провести урок ярче и разнообразнее. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Ursprung Philip Studio Olafur Eliasson The experimental art of Olafur Eliasson. Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations. Also available as Collector's Edition, numbered and signed by the artist. About the artist: Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin. About the author: Philip Ursprung is professor of modern and contemporary art at the University of Zurich. He is the editor of Herzog & de Meuron: Natural History, author of Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art, and also works as a curator. Издание на английском, французском и немецком языках. Адкинс Лесли, Адкинс Рой Древний Рим: энциклопедический справочник Цивилизация Древнего Рима для европейской культуры - это больше чем просто страница истории. Современные институты власти во многом повторяют образцы времен Римской империи, привычный образ европейского города с его храмами и общественными зданиями, улицами и магазинами сложился в древнеримскую эпоху. Да и живем мы в основном по законам римского права, недаром его изучают будущие юристы… Энциклопедический справочник, который вы держите в руках, станет для вас незаменимым пособием по римской истории во всех ее аспектах, путеводителем по культуре Европы античной эпохи. Книга будет особенно полезна студентам, преподавателям и всем, кого интересует история цивилизации. Перевод с английского: В.А.Гончаров, А.И. Годин. Ковтун Иван Иванович, Жуков Дмитрий Александрович 29-я гренадерская дивизия СС "Каминский" Среди коллаборационистских формирований, созданных на оккупированной нацистами территории СССР, особое место занимает Бригада Каминского, известная также как Русская освободительная народная армия (РОНА) и 29-я дивизия войск СС. В предлагаемой читателю работе впервые подробно рассматриваются конкретные боевые операции "каминцев" против советских и польских патриотов, деятельность сотрудников и агентов НКВД-НКГБ, направленная на разложение личного состава бригады, а также ответные контрмеры разведки и контрразведки РОНА. Не обойден вниманием вопрос преступлений "каминцев" против гражданского населения. Наконец, проанализированы различные версии гибели бригадефюрера Б.В. Каминского. Веденеев Василий Владимирович Взять свой камень В ночь на 22 июня 1941 года при переходе границы гибнет связной советской армейской разведки. Успевший получить от него документы капитан-пограничник таинственно исчезает вместе с машиной, груженной ценностями и архивом. На розыски отправлена спецгруппа под командованием капитана Волкова. Разведчикам противостоит опытный и хитрый противник, стремящийся первым раскрыть тайну груза. Роман является второй книгой из цикла о приключениях советского разведчика Антона Волкова. Веденеев Василий Владимирович Дорога без следов В Москву поступают сообщения о предательстве среди высшего командования Красной армии - один из генералов завербован немецкой разведкой. Все подозрения сходятся на К.К. Рокоссовском. Берия выжидает, не зная, как отреагирует на это Сталин. Генерал Ермаков и майор Волков решают спасти командующего фронтом и других попавших под подозрение генералов, отправившись для этого в немецкий тыл. Сталин дает на всю операцию только тридцать суток.... Роман является продолжением "Камеры смертников". Веденеев Василий Владимирович Камера смертников Из нейтральной страны в Москву поступают сообщения о предательстве среди высшего командования Красной армии - один из генералов завербован немецкой разведкой. К тому же под Москвой работает неуловимая вражеская радиостанция. В довершение из-за линии фронта приходит сбежавший из камеры смертников тюрьмы СД бывший офицер-пограничник и приносит подтверждение полученным сведениям… Роман продолжает цикл книг о приключениях советского разведчика Антона Волкова. Веденеев Василий Владимирович Человек с чужим прошлым Главный герой - советский разведчик Антон Волков - бесстрашно вступает в неравный бой со всесильным абвером. Весной 1940 года сразу три разведки - немецкая, советская и английская - разыскивают затерявшегося на территории Польши полковника Марчевского, владеющего тайной шифра картотеки разведотдела польского Генерального штаба. Марчевского обнаруживает абвер, но до того полковник успевает вступить в контакт со связным. Но с чьим?.. Начинается смертельно опасная игра с далеко идущими политическими последствиями. Трубников Александр Меченый Маршал Русич, бывший наемник латинского императора Балдуина, волею судьбы становится рыцарем и владетельным сеньором франкской Морей. Он участвует в войне с ромеями, женится на дочери афинского герцога и готовится унаследовать его титул. Но жизнь его в одночасье рушится. После смерти жены и новорожденного сына он становится тамплиером и долгие годы проводит в Палестине, где за рану на лице получает прозвище Меченый Маршал. В наше время его отдаленный потомок, киевский историк Дима Соларев, нанятый иерархами Киево-Печерской лавры для разгадки тайны похищения Туринской Плащаницы, вместе с новыми друзьями и компаньонами - бывшим бандитом Сергеем и грабителем музеев Франческо - решает самостоятельно завладеть сокровищем. "Квест", оставленный Дмитрием в XIII веке, приводит их сначала в Мосино-польское командорство тамплиеров, затем в Стамбул и в конце концов на Кипр. Из-за досадной ошибки Димы враги нападают на их след, и друзьям приходится спасаться бегством... Роман является непосредственным продолжением криптоисторического боевика "Наследство тамплиеров". Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Lamprecht Barbara Neutra. Complete Works Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers. About the editor: Peter Goessel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Barbara Lamprecht writes and teaches architectural history, concentrating on Modernism, and practices architecture, specializing in sustainability and small spaces. She contributes to Dwell, The Architectural Review, Architecture, Architectural Record and Fine Homebuilding. She is also the author of TASCHEN's Neutra: Complete Works. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Brooks Pfeiffer Bruce Wright. 1943-1959 The life and works of an architectural genius. Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period. Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright's groundbreaking work and eventual 'starchitect' status - included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller. Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright's fellowship. This volume starts in 1943, when Wright's organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons. About the editor: Peter Gossel runs a practice for the design of museums and exhibitions. He is the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series. About the author: Bruce Brooks Pfeiffer became Frank Lloyd Wright's apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day. He is director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and the author of numerous publications on Wright's life and work. Издание на английском, французском и немецком языках. Мартиросян Арсен Беникович Кто проторил дорогу к пакту? В книге, которая открывает новый проект известного историка Арсена Мартиросяна "Мифы пакта Молотова-Риббентропа", разоблачаются мифы о предыстории заключения советско-германского договора о ненападении от 23 августа 1939 г. На обширном историческом материале, поданном в аналитическом режиме разведывательно-исторического расследования, показана малоизвестная или вовсе неизвестная предыстория заключения этого договора, бурные страсти по которому не утихают до сих пор. Впервые в отечественной историографии показан подлинный механизм провоцирования Второй мировой войны, чем усиленно занимались могущественные закулисные силы мирового уровня, стремившиеся любыми средствами уничтожить Россию-СССР. Особое внимание в книге уделено тщательному ретроспективному анализу всего комплекса мотивов и причин, вынудивших Сталина и в целом все советское руководство того времени сделать вывод о суровой необходимости пойти все-таки на заключение договора о ненападении. Мартиросян Арсен Беникович Накануне 23 августа 1939 г. Это вторая книга из нового проекта "Мифы пакта Молотова- Риббентропа " известного историка Арсена Мартиросяна. Она посвящена детальному разоблачению мифов, которыми окружена непосредственно предшествовавшая заключению советско-германского договора о ненападении от 23 августа 1939 г. подлинная история. В аналитическом режиме разведывательно-исторического расследования на обширном историческом материале показана малоизвестная или вовсе неизвестная предыстория заключения этого договора, острейшая полемика вокруг которого не утихает до настоящего времени. Особое внимание в книге уделено торгово-экономическому аспекту заключения этого договора, поскольку до сих пор не прекращаются беспочвенные нападки на СССР и Сталина за то, что-де они явились якобы "интендантами Гитлера ", чего в действительности не было и в помине. Книга насыщена интересными документами и фактами, большая часть которых малоизвестна широкой читательской аудитории. Алешина Татьяна Валентиновна, Ушакова Надежда Владимировна Кризис: руководство по выживанию Целью данной книги является не только дать конкретные рекомендации по экономическим, юридическим и психологическим аспектам поведения в экстремальной экономической ситуации, но и раскрыть подлинные причины происхождения кризисных явлений в современной экономике. Помимо сенсационных экономических и политических выводов в этом издании вы найдете прогноз о наиболее вероятных вариантах развития событий в ближайшей и отдаленной перспективе. Но, конечно, наиболее ценная часть - это практические алгоритмы поведения в различных обстоятельствах, актуальные для всех слоев населения: рабочих, служащих, бизнесменов, руководителей. Здесь вы найдете ответы на конкретные вопросы, возникающие в данной экономической реальности практически каждый день, которые, как мы надеемся, помогут и рядовому работнику, и руководителю предприятия. Информация, содержащаяся в этом "руководстве по выживанию", изложена простым языком, доступным для понимания не только профессиональным экономистам, но и людям других профессий, обладающим элементарными экономическими знаниями. Также мы сочли необходимым привести полный текст ФЗ "О банкротстве" с последними изменениями ввиду его актуальности. Федеральный закон"0 несостоятельности (банкротстве)" от 26.10.02 г. дан в последней редакции Федерального закона от 28.04.2009 N 73-ФЗ, которая ввела в действия нормы об оспаривании сделок должника и ответственности органов управления должника за несвоевременную подачу должником заявления о банкротстве, а также о возложении субсидиарной ответственности на лиц, контролирующих должника (руководителей и иных лиц) в случае недостаточности конкурсной массы для удовлетворения требований кредиторов. Книга рассчитана на широкий круг читателей. Алешина Татьяна Валентиновна, Ушакова Надежда Владимировна Кризис: руководство по выживанию Целью данной книги является не только дать конкретные рекомендации по экономическим, юридическим и психологическим аспектам поведения в экстремальной экономической ситуации, но и раскрыть подлинные причины происхождения кризисных явлений в современной экономике. Помимо сенсационных экономических и политических выводов в этом издании вы найдете прогноз о наиболее вероятных вариантах развития событий в ближайшей и отдаленной перспективе. Но, конечно, наиболее ценная часть - это практические алгоритмы поведения в различных обстоятельствах, актуальные для всех слоев населения: рабочих, служащих, бизнесменов, руководителей. Здесь вы найдете ответы на конкретные вопросы, возникающие в данной экономической реальности практически каждый день, которые, как мы надеемся, помогут и рядовому работнику, и руководителю предприятия. Информация, содержащаяся в этом "руководстве по выживанию", изложена простым языком, доступным для понимания не только профессиональным экономистам, но и людям других профессий, обладающим элементарными экономическими знаниями. Также мы сочли необходимым привести полный текст ФЗ "О банкротстве" с последними изменениями ввиду его актуальности. Федеральный закон"0 несостоятельности (банкротстве)" от 26.10.02 г. дан в последней редакции Федерального закона от 28.04.2009 N 73-ФЗ, которая ввела в действия нормы об оспаривании сделок должника и ответственности органов управления должника за несвоевременную подачу должником заявления о банкротстве, а также о возложении субсидиарной ответственности на лиц, контролирующих должника (руководителей и иных лиц) в случае недостаточности конкурсной массы для удовлетворения требований кредиторов. Книга рассчитана на широкий круг читателей. Лазарев Евгений Сергеевич Друиды Русского Севера Эта книга - итог двадцатилетних исследований в сфере сакральной географии Русского Севера. Мегалитические памятники Лапландии и Белозерья, многие из которых описаны здесь впервые, осмысливаются на основе широких сопоставлений лингвистического и сравнительно-мифологического порядка. И в результате обнаруживается, что адекватно понять эти памятники можно лишь через призму великих религиозных учений и древних мистериальных традиций, уходящих корнями в глубину тысячелетий. Залесский Константин Александрович Кто есть кто в истории СССР. 1924-1953 Впервые выходит полная историческая энциклопедия, охватывающая абсолютно все стороны жизни России в эпоху И. В. Сталина. На ее страницах биографии полководцев и политиков, деятелей культуры и искусства, ученых, спортсменов, чиновников, - всех, кто составлял элиту своего времени. Здесь и жертвы сталинских репрессий, и те, чьими руками эти репрессии осуществлялись. Автор дает максимально полную (в энциклопедическом формате) информацию о биографии того или иного человека, исходя из которой, читатель сам сможет определить его место и значение в "Империи Сталина". Мощанский Илья Борисович Маленькие "Тигры". Для разведки и связи Эта книга посвящена малоизвестным германским боевым машинам, создаваемым уже в период Второй мировой войны. Большинство из них предназначалось для разведки и связи, меньшая часть - для поддержки пехоты, а также для выполнения иных специальных задач. Конструктивно их подвеска, да и многие другие агрегаты были подобны знаменитым немецким танкам "Тигр" и "Пантера", поэтому все семейство вполне можно было назвать маленькими "Тиграми". Однако этой технике не суждено было сыграть в великом противостоянии какую-либо значительную роль. Германская танковая промышленность с трудом справлялась с основными заказами и крупносерийно выпускать технику узкоспециального назначения уже не могла. Мощанский Илья Борисович Маленькие "Тигры". Для разведки и связи Эта книга посвящена малоизвестным германским боевым машинам, создаваемым уже в период Второй мировой войны. Большинство из них предназначалось для разведки и связи, меньшая часть - для поддержки пехоты, а также для выполнения иных специальных задач. Конструктивно их подвеска, да и многие другие агрегаты были подобны знаменитым немецким танкам "Тигр" и "Пантера", поэтому все семейство вполне можно было назвать маленькими "Тиграми". Однако этой технике не суждено было сыграть в великом противостоянии какую-либо значительную роль. Германская танковая промышленность с трудом справлялась с основными заказами и крупносерийно выпускать технику узкоспециального назначения уже не могла. Мощанский Илья Борисович Реактивный миномет Panzerwerfer 42. Сопровождая стальные когорты После появления знаменитых "Катюш" в составе гвардейских минометных частей Красной армии германские конструкторы были просто обязаны искать адекватный ответ, тем более, что первые немецкие реактивные минометы раньше советской техники вступили во Вторую мировую войну - в кампаниях 1939-1940 годов их ограниченно использовали для постановки дымовых завес. Уже через два года в составе вермахта появились бронированные 158,5-мм самоходные РСЗО, получившие название "Панцерверфер 42". Помимо описания устройства реактивного миномета Panzerwerfer 42 в настоящем издании представлены чертежи основных серийных модификаций этой боевой машины, а также цветные иллюстрации вариантов ее окраски. Мощанский Илья Борисович Реактивный миномет Panzerwerfer 42. Сопровождая стальные когорты После появления знаменитых "Катюш" в составе гвардейских минометных частей Красной армии германские конструкторы были просто обязаны искать адекватный ответ, тем более, что первые немецкие реактивные минометы раньше советской техники вступили во Вторую мировую войну - в кампаниях 1939-1940 годов их ограниченно использовали для постановки дымовых завес. Уже через два года в составе вермахта появились бронированные 158,5-мм самоходные РСЗО, получившие название "Панцерверфер 42". Помимо описания устройства реактивного миномета Panzerwerfer 42 в настоящем издании представлены чертежи основных серийных модификаций этой боевой машины, а также цветные иллюстрации вариантов ее окраски. Васильченко Андрей Вячеславович Арийский реализм. Изобразительное искусство в Третьем рейхе Пресса опубликовала очередную сенсацию: на аукционе продают акварели Гитлера. Сенсационным является не сам факт их продажи, а цена, за которую они были проданы, - она вдвое превысила ожидания аукционистов. Торговцы предметами искусства настороженно говорят о возвращении нацистской живописи. Тенденция пугающая, однако она заставляет тем более пристально изучать этот феномен. Книга показывает, как национал-социалистическое искусство использовалось для ослепления и "соблазнения" народа, выступая как один из инструментов манипуляции массами. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Bichler Lorenz, Trede Melanie Hiroshige Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "One Hundred Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. About the authors: Lorenz Bichler studied Sinology, Japanese studies, and Modern History in Zurich and Beijing. After scholarships at the Waseda and Tokai universities in Japan, he was appointed assistant professor of politics at New York University in 1999. He has held non-established teaching posts at various universities, and given online instruction at the New School of Social Research. He has been a freelance sinologist working in Heidelberg since 2004. Before taking her doctorate in Far Eastern art history at the University of Heidelberg, Melanie Trede worked at the Gakushuin University in Tokyo. She was assistant professor at the Institute of Fine Arts at New York University from 1999 to 2004, since which time she has been Professor of Far Eastern art history at the University of Heidelberg. Издание на английском, французском и немецком языках. Булгаков Михаил Афанасьевич Рассказы. Повести В книгу включены рассказы и повести М. А. Булгакова, комментарии к ним, а также литературно-критические статьи о творчестве писателя. Erben Walter Miro Fellow painter Walter Erben spent countless hours conversing with his colleague Joan Miro (1893-1983) at his house in Mallorca in preparation for this book. Over the course of these talks, Miro gave Erben many interesting and invaluable insights into his art, as well as his own interpretations of his most significant works. Thus was born this Miro retrospective which explores, through texts and images, the life`s work of one of the 20th century's most influential painters. About the editor: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). About the author: Walter Erben (1908-1981) studied German at Berlin University as well as painting at the Academy of Art in Dusseldorf, where he studied under Oskar Moll and Paul Klee. Erben taught fine art in Rome and Hagen, authored many successful books on the subject, and lectured extensively during his lifetime. Издание на английском языке. Erben Walter Miro Fellow painter Walter Erben spent countless hours conversing with his colleague Joan Miro (1893-1983) at his house in Mallorca in preparation for this book. Over the course of these talks, Miro gave Erben many interesting and invaluable insights into his art, as well as his own interpretations of his most significant works. Thus was born this Miro retrospective which explores, through texts and images, the life`s work of one of the 20th century's most influential painters. About the editor: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). About the author: Walter Erben (1908-1981) studied German at Berlin University as well as painting at the Academy of Art in Dusseldorf, where he studied under Oskar Moll and Paul Klee. Erben taught fine art in Rome and Hagen, authored many successful books on the subject, and lectured extensively during his lifetime. Издание на английском языке. Erben Walter Miro Fellow painter Walter Erben spent countless hours conversing with his colleague Joan Miro (1893-1983) at his house in Mallorca in preparation for this book. Over the course of these talks, Miro gave Erben many interesting and invaluable insights into his art, as well as his own interpretations of his most significant works. Thus was born this Miro retrospective which explores, through texts and images, the life`s work of one of the 20th century's most influential painters. About the editor: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). About the author: Walter Erben (1908-1981) studied German at Berlin University as well as painting at the Academy of Art in Dusseldorf, where he studied under Oskar Moll and Paul Klee. Erben taught fine art in Rome and Hagen, authored many successful books on the subject, and lectured extensively during his lifetime. Издание на английском языке. Sagner-Duchting Karin Monet Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet`s poplars, grain stacks, Rouen Cathedral, and waterlily paintings - among the most beloved works of the Impressionist period - were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art. This book traces the life`s work of one of art history`s most beloved painters. About the author: Karin Sagner-Duchting studied art history, modern German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet's water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art. Издание на английском языке. Sagner-Duchting Karin Monet Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet`s poplars, grain stacks, Rouen Cathedral, and waterlily paintings - among the most beloved works of the Impressionist period - were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art. This book traces the life`s work of one of art history`s most beloved painters. About the author: Karin Sagner-Duchting studied art history, modern German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet's water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art. Издание на английском языке. Sagner-Duchting Karin Monet Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. Monet`s poplars, grain stacks, Rouen Cathedral, and waterlily paintings - among the most beloved works of the Impressionist period - were created long before the currents of the contemporary avant-garde and had an inestimable influence on the development of modern art. This book traces the life`s work of one of art history`s most beloved painters. About the author: Karin Sagner-Duchting studied art history, modern German literature, and classical archaeology at Munich University. She received her doctorate in 1983 with a thesis on Claude Monet's water lily paintings and was academic assistant at the Bayerische Staatsgemaldesammlungen until 1988. Based in Munich, she researches and publishes in the field of 19th-century art. Издание на английском языке. Feeney F. X. Michael Mann Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a "realist." Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life`s meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann`s multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann`s archives! About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: F. X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F. X. has also written TASCHEN`s Michael Mann and Polanski. Издание на английском языке. Feeney F. X. Michael Mann Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a "realist." Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life`s meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann`s multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann`s archives! About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: F. X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F. X. has also written TASCHEN`s Michael Mann and Polanski. Издание на английском языке. Feeney F. X. Michael Mann Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a "realist." Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life`s meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann`s multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann`s archives! About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: F. X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F. X. has also written TASCHEN`s Michael Mann and Polanski. Издание на английском языке. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Steve McQueen, William Claxton Live fast, die young. "It is a testament to Claxton's eye and skill that it does more than simply show a movie star as work and play. Claxton brings a lost era alive through his subject." - Value Rich Magazine, Palm Springs "One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, "Clax, when I tell you to jump, jump!" We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off." -William Claxton Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueen's career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueen's enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxton's photographic talent and sensibilities were perfectly attuned to the actor's multifaceted character. This is the real Steve McQueen, immortalized by Claxton's empathetic lens. About the editor: California-native Steve Crist's TASCHEN titles include Andre de Dienes's Marilyn, William Claxton's Steve McQueen, and The Polaroid Book. About the photographer: William Claxton (1927-2008) began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints are now sought after by collectors of fine art photography. He passed away on October 11, 2008 in his hometown Los Angeles. Издание на английском, французском и немецком языках. Faulkner Christopher Jean Renoir A director makes only one movie in his life. Then he breaks it into pieces and makes it again. -Jean Renoir. Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l`Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France`s most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression. About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: Christopher Faulkner is professor of film studies and director of the Institute for Comparative Studies in Literature, Art and Culture at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, of La Regle du jeu: scenario original de Jean Renoir, as well as numerous articles on Renoir and on French cinema. Издание на английском языке. Faulkner Christopher Jean Renoir A director makes only one movie in his life. Then he breaks it into pieces and makes it again. -Jean Renoir. Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l`Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France`s most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression. About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: Christopher Faulkner is professor of film studies and director of the Institute for Comparative Studies in Literature, Art and Culture at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, of La Regle du jeu: scenario original de Jean Renoir, as well as numerous articles on Renoir and on French cinema. Издание на английском языке. Faulkner Christopher Jean Renoir A director makes only one movie in his life. Then he breaks it into pieces and makes it again. -Jean Renoir. Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l`Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France`s most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression. About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the author: Christopher Faulkner is professor of film studies and director of the Institute for Comparative Studies in Literature, Art and Culture at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, of La Regle du jeu: scenario original de Jean Renoir, as well as numerous articles on Renoir and on French cinema. Издание на английском языке. Тетрадь на кольцах со сменным блоком 80 листов (160л) (ПБ802431) Тетрадь со сменным блоком. Крепление: кольца. Количество листов: 80. В комплекте дополнительный блок на 80 листов. Тип бумаги: офсет. Тип страниц: клетка. Производитель: Россия. Тетрадь на кольцах со сменным блоком 80 листов (160л) (ПБ802421) Тетрадь со сменным блоком. Крепление: кольца. Количество листов: 80. В комплекте дополнительный блок на 80 листов. Тип бумаги: офсет. Тип страниц: клетка. Производитель: Россия. Тетрадь на кольцах со сменным блоком 80 листов (160л) (ПБ802434) Тетрадь со сменным блоком. Крепление: кольца. Количество листов: 80. В комплекте дополнительный блок на 80 листов. Тип бумаги: офсет. Тип страниц: клетка. Производитель: Россия. Film Posters of the 90s: The Essential Movies of the Decade Whatever your taste in movies, the filmmakers of the 1990s had it covered. On the one hand, the big studios took advantage of the ever-increasing sophistication of computer-generated imagery to produce spectacular, mega-budget "event" movies like "Titanic", "The Matrix" and "Mission: Impossible"; on the other, a new generation of independents like Tarantino and the Coen Brothers was winning its spurs with low-tech and often low-budget productions such as "Reservoir Dogs" and "The Big Lebowski". Spielberg turned his attention to the Second World War with "Saving Private Ryan", Eastwood and Costner gave the Western a new lease of life with "Unforgiven" and "Dances With Wolves", and the Brits chipped in with two unexpected successes, "The Full Monty" and "Trainspotting". From the eerie psychosis of "The Silence of the Lambs" to the romantic fantasy "Pretty Woman", this was a decade that offered something for everyone. Hollywood may have become besotted by all things digital, but print on paper, in the form of the poster, remained one of the most important means of promoting movies of all kinds, and the poster artists of the 90s proved that they could still produce striking and alluring images. This book reproduces the pick of the decade. Книга на английском языке. Film Posters of the 90s: The Essential Movies of the Decade Whatever your taste in movies, the filmmakers of the 1990s had it covered. On the one hand, the big studios took advantage of the ever-increasing sophistication of computer-generated imagery to produce spectacular, mega-budget "event" movies like "Titanic", "The Matrix" and "Mission: Impossible"; on the other, a new generation of independents like Tarantino and the Coen Brothers was winning its spurs with low-tech and often low-budget productions such as "Reservoir Dogs" and "The Big Lebowski". Spielberg turned his attention to the Second World War with "Saving Private Ryan", Eastwood and Costner gave the Western a new lease of life with "Unforgiven" and "Dances With Wolves", and the Brits chipped in with two unexpected successes, "The Full Monty" and "Trainspotting". From the eerie psychosis of "The Silence of the Lambs" to the romantic fantasy "Pretty Woman", this was a decade that offered something for everyone. Hollywood may have become besotted by all things digital, but print on paper, in the form of the poster, remained one of the most important means of promoting movies of all kinds, and the poster artists of the 90s proved that they could still produce striking and alluring images. This book reproduces the pick of the decade. Книга на английском языке. Film Posters of the 90s: The Essential Movies of the Decade Whatever your taste in movies, the filmmakers of the 1990s had it covered. On the one hand, the big studios took advantage of the ever-increasing sophistication of computer-generated imagery to produce spectacular, mega-budget "event" movies like "Titanic", "The Matrix" and "Mission: Impossible"; on the other, a new generation of independents like Tarantino and the Coen Brothers was winning its spurs with low-tech and often low-budget productions such as "Reservoir Dogs" and "The Big Lebowski". Spielberg turned his attention to the Second World War with "Saving Private Ryan", Eastwood and Costner gave the Western a new lease of life with "Unforgiven" and "Dances With Wolves", and the Brits chipped in with two unexpected successes, "The Full Monty" and "Trainspotting". From the eerie psychosis of "The Silence of the Lambs" to the romantic fantasy "Pretty Woman", this was a decade that offered something for everyone. Hollywood may have become besotted by all things digital, but print on paper, in the form of the poster, remained one of the most important means of promoting movies of all kinds, and the poster artists of the 90s proved that they could still produce striking and alluring images. This book reproduces the pick of the decade. Книга на английском языке. Film Posters of the 90s: The Essential Movies of the Decade Whatever your taste in movies, the filmmakers of the 1990s had it covered. On the one hand, the big studios took advantage of the ever-increasing sophistication of computer-generated imagery to produce spectacular, mega-budget "event" movies like "Titanic", "The Matrix" and "Mission: Impossible"; on the other, a new generation of independents like Tarantino and the Coen Brothers was winning its spurs with low-tech and often low-budget productions such as "Reservoir Dogs" and "The Big Lebowski". Spielberg turned his attention to the Second World War with "Saving Private Ryan", Eastwood and Costner gave the Western a new lease of life with "Unforgiven" and "Dances With Wolves", and the Brits chipped in with two unexpected successes, "The Full Monty" and "Trainspotting". From the eerie psychosis of "The Silence of the Lambs" to the romantic fantasy "Pretty Woman", this was a decade that offered something for everyone. Hollywood may have become besotted by all things digital, but print on paper, in the form of the poster, remained one of the most important means of promoting movies of all kinds, and the poster artists of the 90s proved that they could still produce striking and alluring images. This book reproduces the pick of the decade. Книга на английском языке. Скворцова Анна Владимировна Большая энциклопедия для самых маленьких У вас в руках не обычная книга, а энциклопедия, которая предназначена для любознательного ребенка, постоянно интересующегося событиями, фактами. Она расскажет немало увлекательных историй, ответит на многие "почему" и "зачем", легко и занимательно изложит сложнейшие темы. Произведения школьной программы и сочинения по ним. Для школьников и абитуриентов Эта книга станет незаменимым помощником для старшеклассников, так как содержит все ключевые произведения русской литературы XIX-XX вв. в кратком изложении. В книге также подобраны образцовые сочинения практически по всем темам, включённым в программу средней школы. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Jodidio Philip Architecture Now! 5 Now in its fifth installment, the "Architecture Now!" series is an ongoing project documenting the work of the most innovative and influential architects across the globe. Volume 5 features famous names and newcomers alike, and this time around a number of designers are also included, reflecting the new ways in which design and architecture are coming together. Since architecture also extends beyond walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated A-Z entries include current and recent projects, biographies, contact information, and web sites. Издание на английском, немецком, французском языках. Maximilian Prince of Wied Travels in the Interior of North America In 1832 Maximilian Prince of Wied set out with the Swiss painter Karl Bodmer on an expedition to study the way of life of the North American Indians. Starting at the east coast, they followed the courses of the Ohio. Mississippi and Missouri rivers, until they reached the far northern regions of present-day Montana. While the Prince collected ritual implements, noted his observations and transcribed the intensive conversations he conducted with the Indians. Karl Bodmer created fascinating watercolours. Bodmer portrayed the chieftains and the warriors, the dances and the ceremonies, and even captured the bison on the broad expanses of the prairies - images that the general public had never seen before. Consequently, on their return to Europe, the researchers planned a publication of their experiences, which from 1839 onwards appeared in a small, exquisite edition, and finally comprised a portfolio with 81 plates and two volumes of text. Reproduced from a beautiful hand-coloured copy, which remains to this day in the keeping of the Prince's family, Travels in the Interior of North America presents all 81 of the plates and highlights in numerous text passages important details of the paintings. A selection of texts by Prince Maximilian brings the pictures to life and inspires the reader to decipher their mysteries. Издание на английском языке. Maximilian Prince of Wied Travels in the Interior of North America In 1832 Maximilian Prince of Wied set out with the Swiss painter Karl Bodmer on an expedition to study the way of life of the North American Indians. Starting at the east coast, they followed the courses of the Ohio. Mississippi and Missouri rivers, until they reached the far northern regions of present-day Montana. While the Prince collected ritual implements, noted his observations and transcribed the intensive conversations he conducted with the Indians. Karl Bodmer created fascinating watercolours. Bodmer portrayed the chieftains and the warriors, the dances and the ceremonies, and even captured the bison on the broad expanses of the prairies - images that the general public had never seen before. Consequently, on their return to Europe, the researchers planned a publication of their experiences, which from 1839 onwards appeared in a small, exquisite edition, and finally comprised a portfolio with 81 plates and two volumes of text. Reproduced from a beautiful hand-coloured copy, which remains to this day in the keeping of the Prince's family, Travels in the Interior of North America presents all 81 of the plates and highlights in numerous text passages important details of the paintings. A selection of texts by Prince Maximilian brings the pictures to life and inspires the reader to decipher their mysteries. Издание на английском языке. Логинова Ольга Владимировна Тесты для подготовки к школе Поступление в школу - важное событие в жизни каждого ребенка. Как психологическая, так и физиологическая неготовность малыша к новому этапу может стать в дальнейшем причиной многих проблем в учебе, избежать которые можно благодаря правильной подготовке ребенка. Данная книга поможет родителям подготовить ребенка к школьным занятиям, определить, каких навыков ему не хватает, развить необходимые умения, определить возможные трудности и пути их устранения, сделать процесс адаптации малыша в новых условиях максимально комфортным. Книга содержит упражнения на развитие различных навыков и проверочные тесты с результатами. Данное издание будет интересно как родителям будущих первоклассников, так и работникам дошкольных учреждений, учителям начальных классов и студентам педагогических вузов. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Advertising Now. Print The art of selling: today's most effective and original ads The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of agencies in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are essays written by top creative directors including members and presidents of the jury in advertising Festivals such as the Cannes Advertising Festival and Clio Awards. This guide is a must-have for managers, advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world. About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. Издание на английском, французском и немецком языках. Llinas Jose, Sarra Jordi Josep Maria Jujol Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith. Литература на английском и французском языках. Llinas Jose, Sarra Jordi Josep Maria Jujol Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith. Литература на английском и французском языках. Llinas Jose, Sarra Jordi Josep Maria Jujol Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith. Литература на английском и французском языках. Llinas Jose, Sarra Jordi Josep Maria Jujol Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith. Литература на английском и французском языках. Llinas Jose, Sarra Jordi Josep Maria Jujol Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith. Литература на английском и французском языках. Stierlin Henri The Maya. Palaces and pyramids of the rainforest This volume retraces the development and magnificent flowering of Mayan architecture in Mexico, Guatemala, Honduras and Belize over the period 300 B.C.-A.D. 1500. Tikal, the earliest Mayan religious centre, Palenque, famous for its ceremonial centre, and Copan with its hieroglyphic staircase featuring 2 500 glyphs are among the cities featured, along with Chichen Itza and its ball court, and Bonampak and its frescoes. These astounding creations testify to the knowledge and refinement of the most advanced of the pre-Columbian civilizations. Литература на английском языке. Stierlin Henri The Maya. Palaces and pyramids of the rainforest This volume retraces the development and magnificent flowering of Mayan architecture in Mexico, Guatemala, Honduras and Belize over the period 300 B.C.-A.D. 1500. Tikal, the earliest Mayan religious centre, Palenque, famous for its ceremonial centre, and Copan with its hieroglyphic staircase featuring 2 500 glyphs are among the cities featured, along with Chichen Itza and its ball court, and Bonampak and its frescoes. These astounding creations testify to the knowledge and refinement of the most advanced of the pre-Columbian civilizations. Литература на английском языке. Stierlin Henri The Maya. Palaces and pyramids of the rainforest This volume retraces the development and magnificent flowering of Mayan architecture in Mexico, Guatemala, Honduras and Belize over the period 300 B.C.-A.D. 1500. Tikal, the earliest Mayan religious centre, Palenque, famous for its ceremonial centre, and Copan with its hieroglyphic staircase featuring 2 500 glyphs are among the cities featured, along with Chichen Itza and its ball court, and Bonampak and its frescoes. These astounding creations testify to the knowledge and refinement of the most advanced of the pre-Columbian civilizations. Литература на английском языке. Stierlin Henri The Maya. Palaces and pyramids of the rainforest This volume retraces the development and magnificent flowering of Mayan architecture in Mexico, Guatemala, Honduras and Belize over the period 300 B.C.-A.D. 1500. Tikal, the earliest Mayan religious centre, Palenque, famous for its ceremonial centre, and Copan with its hieroglyphic staircase featuring 2 500 glyphs are among the cities featured, along with Chichen Itza and its ball court, and Bonampak and its frescoes. These astounding creations testify to the knowledge and refinement of the most advanced of the pre-Columbian civilizations. Литература на английском языке. Ernst Bruno Impossible Worlds: Adventures with Impossible Objects: Optical Illusions Even as a boy, Maurits Cornells Escher was intrigued by graphic techniques. He studied graphic arts at Haarlem under Jessurun de Mesquita, and in 1922 moved to Italy, where he settled in Rome two years later. During the decade he spent there, the Dutch artist explored the options which different graphic techniques made available, and he chose his subject matter purely on the strength of the technical challenges it would pose. Around the time he left Italy, Escher's subject matter underwent a fundamental change. Up until this time his interest had been exclusively in mastering his craft, but now he gave his prime attention to his subjects. "Ideas came into my mind quite unrelated to graphic arts." The pictures that now resulted reflected his fascination with the enigmatic laws that governed the world around him: Escher's visual representations expressed the mental images that absorbed him. This title contains two of the most interesting books about Escher: "Adventures with Impossible Objects" and "Optical Illusions". Издание на английском языке. Ernst Bruno Impossible Worlds: Adventures with Impossible Objects: Optical Illusions Even as a boy, Maurits Cornells Escher was intrigued by graphic techniques. He studied graphic arts at Haarlem under Jessurun de Mesquita, and in 1922 moved to Italy, where he settled in Rome two years later. During the decade he spent there, the Dutch artist explored the options which different graphic techniques made available, and he chose his subject matter purely on the strength of the technical challenges it would pose. Around the time he left Italy, Escher's subject matter underwent a fundamental change. Up until this time his interest had been exclusively in mastering his craft, but now he gave his prime attention to his subjects. "Ideas came into my mind quite unrelated to graphic arts." The pictures that now resulted reflected his fascination with the enigmatic laws that governed the world around him: Escher's visual representations expressed the mental images that absorbed him. This title contains two of the most interesting books about Escher: "Adventures with Impossible Objects" and "Optical Illusions". Издание на английском языке. Ernst Bruno Impossible Worlds: Adventures with Impossible Objects: Optical Illusions Even as a boy, Maurits Cornells Escher was intrigued by graphic techniques. He studied graphic arts at Haarlem under Jessurun de Mesquita, and in 1922 moved to Italy, where he settled in Rome two years later. During the decade he spent there, the Dutch artist explored the options which different graphic techniques made available, and he chose his subject matter purely on the strength of the technical challenges it would pose. Around the time he left Italy, Escher's subject matter underwent a fundamental change. Up until this time his interest had been exclusively in mastering his craft, but now he gave his prime attention to his subjects. "Ideas came into my mind quite unrelated to graphic arts." The pictures that now resulted reflected his fascination with the enigmatic laws that governed the world around him: Escher's visual representations expressed the mental images that absorbed him. This title contains two of the most interesting books about Escher: "Adventures with Impossible Objects" and "Optical Illusions". Издание на английском языке. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Krase Andreas Eugene Atget: Paris 1857-1927 Eugene Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Adam Hans Christian Karl Blossfeldt. The complete published work German photography pioneer Karl Blossfeldt photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Литература на английском, немецком и французском языках. Becks-Mallorny Ulrike Wassily Kandinsky. 1866-1944. The journey to abstraction
Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form. Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work On the Spiritual in Art, have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are still full and dazzling today. Издание на английском языке. 
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